Always a good day that begins with a little watercolor.
Day lilies from my garden have been my inspiration. Enjoy!
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| This photo slideshow generated with Smilebox |
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| This photo slideshow generated with Smilebox |
Here is the complete demo of Iris No. 16 with no ads.
Yes, I’m paying for smilebox now in response to a few complaints
about the ads accompanying the FREE version I was using.
There will be no ads with future smilebox demos on my blog.
Iris No. 16 has just been listed on Daily Paintworks – Opening Bid $85
Enjoy
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| A digital slideshow by Smilebox |
I began Iris No. 16 for Matthews Artists Guild on Mar. 13,
and am now back in my home studio to continue.
Always, the set-up. Before I begin to paint,
I have everything I think I might need nearby.
Working wet-into-wet in sections, I’ve added a variegated wash and am now using thicker paint for the iris beard.
While still damp, I lift with a thirsty flat brush to create dimension.
More lifting.
Further along, but getting tired…have learned not to push myself.
It only takes an uncertain stroke or two
for a watercolor painting to go downhill fast…
To be continued…
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| This free photo slideshow generated with Smilebox |
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| Free digital slideshow generated with Smilebox |
I’m excited to share my first video featuring the methods I will be demonstrating in the upcoming Less Is More workshops in August. To see a sneak preview of the techniques used to create the above watercolor, click: Flower Garden To The Studio
Please share this link with others you want to encourage to follow their muse.
Let’s enjoy the journey together,
June
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Both have a large, light-valued shape, a yellow iris, which did not come alive until I added the dark-valued blue background. In both, I used ultramarine blue (a warm blue) and thalo blue (a cool blue). Plus, thalo blue is a staining pigment, which means it has the strength to power surge.
Consider This:
1. Light and dark values power surge each other when juxtaposed.
2. Color opposites and near opposites power surge each other when juxtaposed.
3. Use staining pigments to easily create darkest darks.
I actually did all three here. I placed a light value-subject in a dark-valued background. I placed near opposites beside each other. And thalo blue helped flip the power surge switch!
Thanks and see you next week
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